Very exciting news – today we launched a new site for Issue Project Room, a non-profit based in Brooklyn.
http://issueprojectroom.org
From the site: ISSUE Project Room provides an open and versatile environment in which established and emerging artists conduct, exhibit and perform new and site-specific work. Through an evolving collaboration with curators, artists and educators, ISSUE Project Room foments widely ranging artistic projects that challenge and expand artistic practice.
Issue Project Room rounds out a full year of web development, and new media production from my side.
It’s been great working with creative+thoughtful individuals & organizations across the spectrum. Here’s to a wonderful ’09!
Read this excerpt, then read the full article (link listed below)
Deciding if social networking is going to be an asset or liability is dependent on how your company chooses to approach it.
Companies who look first to their communications objectives and selectively choose which aspects of social networking can accentuate their messaging are the most successful.
Those that choose to look on social networking as a means to blanketing the connected world with their messaging fail.
Whether social networking is going to be an asset or liability depends on your decisions of how to use it.
Starting With Web 2.0
The idea of the Internet being more responsive and participatory is one of the aspects of Web 2.0, a concept defined by Tim O’Reilly and Dale Dougherty of O’Reilly Media.
One of the best books written about the adoption of Web 2.0 and the rapid growth and popularity of social networking sites is Groundswell by Charlene Li and Josh Bernoff, from Forrester Research.
Flickr and wordpress have really changed the web-0-sphere. They simply make sharing multimedia, photos, and ideas simpler. During my endless search for more great wordpress plugins, I began searching for easy ways to integrate flickr with wordpress, and saw this great article.
If you’re looking to integrate photos into your wordpress site, install these plugins and get crackin’ !
[Most of the content here is a repost. Click for the full article.]
Description: This Flickr plugin for WordPress will allow you to pull in your Flickr photosets and display them as albums on your WordPress site. There is a pretty simple template provided, but you can customize the templates 100% to match the look and feel of your own site. And if you want, you could also hook it up with Lightbox or any other number of display libraries.
On the backend, this plugin will also add a new Flickr icon to your WordPress edit screen which will allow you to easily insert your Flickr photos into your blog posts with just a couple clicks. You can either have your inserted photos link back to your WordPress Flickr photo album or directly to your Flickr.com photo page. URL:Â http://tantannoodles.com/toolkit/photo-album/.
Description: WordPress Flickr Manager is an easy to use plugin that seamlessly integrates your Flickr account with your WordPress backend. It replaces the browse panel from previous versions, but legacy mode can be enabled through the options menu. You also have the choice between Highslide and Lightbox. URL:Â http://tgardner.net/wordpress-flickr-manager/.
Description: This plugin downloads all of your Flickr images onto your own server and allows them to appear on your own gallery. Nice and simple. URL:Â http://www.webopticon.com/archives/148.
Description: This is a plugin for WordPress that allows you to embed a flickr integrated simpleviewer into your WordPress site. In addition, you are able to specify a path to a standard SimpleViewer XML configuration file to display images from a local gallery. URL:Â http://wordpress.org/simpleflickr/.
Description: Slickr Gallery is a very fast, bandwidth-friendly photo gallery plugin for WordPress. It allows you to pull your Flickr-hosted photos into a gallery section of your blog, as well as easily add Flickr-hosted images to your posts and pages. It is especially useful for people with many Flickr albums/photos.
Slickr Gallery needs a Lightbox plugin to work properly. URL:Â http://stimuli.ca/slickr/.
Description: This plugin for WordPress allows you to display Flickr photos on your weblog. It supports user, set, favorite, group and community photostreams, and is relatively easy to setup and configure via a settings panel. The plugin also has cache support, allowing you to save thumbnails on your own server. URL:Â http://eightface.com/wordpress/flickrrss/.
Description: The Flickr Thumbnail Photostream WordPress plugin makes including and linking to photos on a Flickr account simple and flexible. The links come in the form of thumbnail images that link to their larger, normal formats within the Flickr website. The advantage of this plugin is that it does not use RSS feeds and uses the Flickr API instead. URL:Â Flickr Thumbnail Photostream.
Description: Using the “shortcodes†system in WordPress 2.5 and up, this plugin will allow you to quickly and easily incorporate your Flickr photos into your WordPress pages and posts. URL: http://wordpress.org/extend/plugins/flickr-gallery/.
Thanks to speckyboy for a great article!
Make sure to visit his site for more great wordpress tips.
I’ve compiled a list of companies and orgs that make good use of their websites and social networks.
If there are some sites you’d like to see added to this list, leave a comment!!
On our best game, we plan for business and get to market; we move with clarity from strategy to plan to brass tacks. It all ties together. But, given the potential to miss the mark and disconnect horribly, there is an open, perpetual conversation about strategy vs. tactics. In almost any business circle, it buzzes. You can jump in on this confab almost any given day of the week. What is the talk?
Well, I’m sure you’ve noticed that some people truly cannot distinguish between strategy and tactics; it’s all a blur, or they just flat-out jump right into the weeds and operate more as tacticians than critical thinkers. Many of those either lazy or clueless go as far as to say, “Strategy and tactics, one and the same.” So, we talk about them. There’s a collective guffaw among the righteous — and the conversation that extols the difference goes from there. Seriously — just think how many opinion pieces you have seen on whether people — marketers, agencies, media companies — get it or not. It even extends to the world at large –other sectors and even presidential debates. Strategy vs. tactics — what’s the difference? We love this topic.
With a growing number of sites and social networks, how do you decide what networks to join? What strategy should you use? What kind of time will it take? While all these questions are valid, the most useful question is: what will be most useful for me? What will keep me connected to others and others connected with me?
I think the best way to look at social media is to view it as a way to open up access points. These points can then be leveraged to create content, connection, and community. Do that well, and they can also add to lead generation, nurturing and conversion.
I’ll talk more about this in a free webinar this Wednesday put on by the good folks at Jigsaw, but here are couple point to ponder.
Choose your social media tools with an ideal interaction in mind
– Is a blog a starting point or an ending point?
Choose your social media objectives with connection in mind
– Are you after traffic, primary and secondary links or access to communities that think and act alike?
Jeff Pulver writes about the role of an online “Community Developer”:
A company’s Facebook strategy is just a piece of the answer. It is not the complete answer. At best it is a tactic. And a company’s social media strategy isn’t something which can be entirely outsourced either. When implemented it requires a commitment from the company to support the efforts, not to just press play and walk away and hope for the best.
While I have actively used the term “community†since 1994, and hired a friend in 1999 and gave him a title of “Community Developer†it has taken a number of years for the world to catch on to some concepts I have been taking for granted for years.
It turns out when you decided to put your company “on the Internetâ€, like it or not, it would be a lifetime commitment to being subject to ongoing change and innovation. What at first was creating a gateway for company email and a website to establish an Internet presence has evolved into being able to leverage the best tools whenever possible when playing in an always-on world of pervasive broadband.
Chris Brogan writes a series of articles on social media. A few of his tips:
1. Social media isn’t that scary, but it is different than what you’ve been doing. For one thing, it’s far more messy, and requires a lot more hand-holding.
2. You have SO MUCH to gain from figuring out some of these tools and the way we’re using them.
3. Blogging isn’t the same as releasing marketing materials.
4. Putting up commercials on YouTube isn’t videoblogging.
I read this article by Britt Parrot some time ago and thought it good enough to repost here:
Social media is not about technology, nor about keeping up with the latest trend. The primary goal of using social media has to be communication, not technology and not viral marketing. A company has phones because it wants employees to be able to talk to other people, not because it wants to be at the “cutting edge of voice-activated, enterprise digital communication systemsâ€â€”and not because it wants to call everyone in the phone book with a sales pitch! If the main goal for using social media is to be at the cutting edge of technology, or if your client’s eyes light up when they realize they can use social media to send a mass message to followers, it will fail. Social media is part of a long-term communication strategy to build relationships.
Ignite Social Media writes about the difference between a social media campaign and social media strategy:
Social media strategy: A social media strategy should always come before a social media campaign. Ideally, it should come at least six months before the social media campaign. In it, you re-evaluate your internal assets and begin to (a) analyze and (b) engage with the community, but you don’t “ask†for anything in return yet. We did this first for Ignite, and it pays huge dividends.
Social media campaign: A social media campaign derives from a social media strategy. The major difference here is that now you (a) understand the audience that cares about your subject and where they gather, (b) you’ve given quality information away and developed followers, and (c) you now have measurable goals. Now you’re activating people and trying to “get†something.
By producing and promoting your work online, you must develop a strategy for free. I learned this from Chris Anderson who popularized the term, “The Long Tail.†He is now writing a book about the economy of free.
This year, we saw Radiohead lead the way in free by “giving away†their music. By allowing fans to set the price tag, or even download the work for free, Radiohead made a statement about the distribution of art. On the internet, distribution is essentially free. With a good strategy, you can post and distribute with greater ease. And people might or might not pay for it. And why should they?
Recently, Trent Reznor from Nine Inch Nails followed suit by offering free downloads of his music. Before this initiative, he has actively encouraged his fans during shows to download his music for free: Wendy Davis writes, “Last year, at a concert in Australia, he urged fans to download his group’s tracks from file-sharing sites rather than pay what his label charged instead of paying for it on CD.â€
Trent Reznor also produced Saul Williams’ album “Niggy Tardust,†and offered the fans a pay-what-you-want system. According to Wendy Davis’ article, the results were mixed. Only 18% of people who downloaded the album paid anything.
However, it greatly increased Saul Williams exposure. His last album sold 34,000 copies, while “Niggy Tardust†sold 28,000. On the other hand, there were a total of 154,000 downloads accounted. That’s five times the number of his past album. Considering Saul’s label took a cut of the 34,000 albums sold, Saul actually made more money on his new album.
 I was thinking about how artists translate their work online and came across this great article on Creative Capital.org.
The article looks at interesting web projects that artists put together as an extension of their work. I remember seeing (and loving) one of the projects, Learning to Love You More by Miranda July and Harrell Fletcher. The project asks user to complete “homework assignments†– and the results are often heartfelt, hysterical or both. The artists say, “We spend hours drifting through the site…reading your life stories, watching your videos, listening and looking. It is one of our favorite things to do, and we know that thousands of other people feel the same way.â€
I wonder how this kind of project can be developed within the performing arts community. . . . What will it take?
Photoshop remixing reality – this ain’t news. But…there’s been an evolution. Now users can “stretch the truth†even more. with this awesome piece of software, developed by a neuroscientist.
Some of the new tools for removing tourists from photos, stretching pictures without distorting faces and making reality flexible are free and online.
Mr. Baldassi’s photo-editing tool can be downloaded from his Web site, liquidrescale.wikidot.com, and used as a plug-in with a popular open-source image-editing tool known as the GNU Image Manipulation Program, or GIMP.
“We spend about 10 percent our waking life with our eyes closed by blinking,†said Michael F. Cohen, a principal researcher at Microsoft’s research division in Redmond, Wash. “If you want to take a picture of 10 people with their eyes open, you’re out of luck.â€
So he and researchers at Microsoft built a tool called Group Shot, which can be found atresearch.microsoft.com/projects/GroupShot. The tool lets users identify the best parts of a sequence of pictures and merge them. It can correct for small changes caused by movement or changes in the lighting. Adobe just introduced a similar feature in the latest version of Photoshop Elements 6, which sells for about $100.
Mr. Cohen said his tool would produce photos that were closer to the reality that we perceive than a photograph.
“We’re assembling what’s really there — just not from one-hundredth of a second, but longer,†he said.
“Think of an axis from the purely objective to the purely subjective,†he said. “At one end is a photograph, a recording of what really took place. At the other end is our internal experience of an external event. There’s some place that is a little bit subjective. It’s not quite real. But if you and I looked at it, we would agree on it.â€
This weekend, Kristin Sloan from The Winger, Chris Elam, and myself (Jaki Levy) led a workshop at the annual Dance / USA winter forum in Los Angeles on Recording, Producing, and Sharing Online Video. The workshop was well attended by the dance company executive / managing directors, development and outreach staff, and the attendees had some good questions. One particular participant asked if there was a way to track who is viewing your video, and what age are they are.  For performing arts organizations, this data can be very valuable for building your audiences.
With a bit of work, you can certainly get a sense of what your viewership is. While you may not have quick access to this information, you can certainly look at who is subscribing to your videos, and leaving comments. YouTube users are fairly open and usually post their age on their profiles. You just have to go and get this data – there is not automatic way to do this – yet.
In addition to answering these kinds of questions, we also suggested a few ideas for kinds of segments that would make sense for any dance organization.Â
For larger organizations, copyright and licensing is a significant issue. Choreographers, Dancers, Union members, and Musicians all have licensing fees, so producing a video segment can be tricky. We suggested considering Behind-the-scenes or Dance Education videos. To avoid the up-front cost of licensing, video segments about your company members might also be a possibility. However, this is a growing issue and must be dealt with.
Another possibility is streaming rehearsal video. With the support of the Rockefeller Foundation’s New York City Innovation Fund, Merce Cunningham will begin doing this in February 2008 in a series called Mondays with Merce.Â
Overall, the conference provided a valuable opportunity to get a sense of where things are going. Dance/USA did a wonderful job in organizing everything. I trust there will be a very positive impact as a result of everyone’s participation.
As lots of videoBloggers know, YouTube is great because of the large audience. However, the quality lacks, and users can’t download any of your videos directly from the site.
(You can however use a service called DownloadYouTubeVideos to do this – but the quality is still poor)
So, what else is out there? I’ve briefly reviewed some good video solutions that I personally use. If you see something missing, or have a question, please let me know + leave a comment. My goal is to compile a comprehensive resource for content producers, hosts, designers, and curators of video content. Hope this list helps!
Vimeo
Great for programmers, developers, bloggers, and others who want their videos downloadable. Nice design + social networking capabilities. The nicest feature I like is the friend updates. Whenever a friend of yours leaves a comment, or gives some ‘net love to another video, you’ll see the instant feedback on your account. Good way to discover new video.
BrightCove
A Great solution for internet television, but not so great for video bloggers. Allows you to create your own custom channel. Here’s an example.
Another great feature is the customizable upload forms. You can create these custom upload forms and embed the form into your site. This way, visitors can upload videos to your custom channel without leaving your webpage.
BrightCove offers desktop software to help you manage your online media. Part of the software includes a batch uploader which allows you to upload multiple files at once.
Revver
Revver is also popular but I do not use it. They allow visitors to download video, but I don’t really know enough about Revver to be writing about it.
Blip.Tv
Blip.Tv is probably one of my favorites. They offer visitors and content producers high quality video, downloadable content, and the ability to create iTunes podcasts. They also offer content producers the ability to create a custom channel. Here is an example I created a while back.
Blip.Tv helps your content go beyond the web. The site helps you convert your videos for viewing on cell phones, video iPods, and many other formats.
Like Brightcove, Blip.Tv also offers a batch uploader, so you can upload many files at once, saving content producers and publishers LOTS of time.
I’ve embedded a video to give you a taste of the quality :
Â
Pando
What if you just want to send video back and forth without hosting it publicly?
Use Pando. Pando allows you to send 1GB files & folders via any email or IM.
Think of it like YouSendIt, but for video and way cooler.